In his latest film, The Girl with the Dragon Tattoo, director David Fincher once again brought digital filmmaking tools to the fore to help tell the story of a man’s search for the truth about a 40 year old murder case. Fincher shot Dragon Tattoo on the RED One MX and EPIC, and relied on more than 1000 visual effects shots throughout the film. fxguide talks to Method Studios and Digital Domain about their effects contributions, and to Blur Studio which was responsible for the startling main titles.
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