Monday, February 27, 2012

Winners !!! Complete List From the 2012 Oscars


The Artist wasn't the only winner tonight! Find out who else took home trophies from the 84th Annual Academy Awards...


Best Picture: The Artist
Actor in a Leading Role: Jean Dujardin, The Artist
Actress in a Leading Role: Meryl Streep, The Iron Lady
Actress in a Supporting Role: Octavia Spencer, The Help
Actor in a Supporting Role: Christopher Plummer, Beginners
Director: Michel Hazanavicius, The Artist
Original Screenplay: Midnight in Paris, Written by Woody Allen
Adapted Screenplay: The Descendants, Screenplay by Alexander Payne and Nat Faxon and Jim Rash
Animated Feature Film: Rango
Foreign-Language Film: A Separation (Iran)
Documentary Feature: Undefeated
Cinematography: Hugo
Art Direction: Hugo
Film Editing: The Girl With the Dragon Tattoo


Visual Effects: Hugo
Sound Editing: Hugo
Sound Mixing: Hugo
Original Score: The Artist, Ludovic Bource
Original Song: "Man or Muppet," The Muppets; music and lyric by Bret McKenzie
Costume Design: The Artist
Makeup: The Iron Lady
Animated Short Film: The Fantastic Flying Books of Mr. Morris Lessmore
Documentary Short Subject: Saving Face
Live Action Short Film: The Shore


Moments to remember from Oscar 2012


The Oscar telecast takes hours, but it's the moments we remember.
Just a few of them, of course — ones that are so emotional, funny, or bizarre that they'll stand out in our collective memories, candidates for future Oscar montages, of course, but also for office watercooler talk. Here's a running look at some of the Oscar moments we may be talking about in the morning:



MAIS C'EST FORMIDABLE!
The evening had a decidedly French accent, thanks to best-picture winner "The Artist," and one of its most charming moments was the acceptance speech by Jean Dujardin, best actor for his wordless (almost) turn as silent film star George Valentin. "I love your country," he exclaimed, adding that if Valentin could speak, he'd say: "Wow! Amazing! Great!" and a few other things, including a rather salty colloquialism. It was all still charming. He didn't seem too upset that a few days ago he was upset for best actor at the Cesar awards, France's equivalent to the Oscars.
BONJOUR BILLY!
Last year, the joke-starved Oscar audience was so thrilled to seeBilly Crystal by the time he showed up that they gave him a standing ovation — before he even said a word. (Many felt hosts James Franco and Anne Hathaway lacked enough comic spark). Now back as host, Crystal was greeted warmly if less ecstatically as he launched into his timeworn routine: first the montage where he inserts himself into films — he even got a kiss from George Clooneyin his "Descendants" hospital bed — and then his medley of songs. "You didn't think I wasn't gonna do this, did ya"? he quipped. No, we didn't.
LISTEN TO YOUR ELDERS
It was a night that celebrated veterans and those of a certain age, which may be why Crystal, in a search for a bit o' youth, brought Justin Bieber into his "Midnight in Paris" bit. Later he was even blunter: "We're gonna slam the 78 to 84 demographic," he said. Next year, he added, we'd be in the Flomax Theater, referring to the prostate medication. The old-age reference became a running theme. After 82-year-old Christopher Plummer won the supporting actor prize, Crystal quipped: "The average age for winners has just jumped to 67."
MERYL AND MARRIAGE
From longevity in life to longevity in marriage: One of the most moving moments of the night came when Meryl Streep, winning best actress for "The Iron Lady," thanked her husband, Don Gummer — not at the end, but at the beginning of her speech, so that the music wouldn't drown out the acknowledgement as it often does.
"Everything I value most in our lives, you gave me," Streep said tearfully.
Then she thanked a man she called her other partner: J. Roy Helland, her makeup artist on every movie for 37 years — who had quite a night, also taking home a statuette for transforming Streep into Maggie Thatcher.
"Thanks Meryl, for keeping me employed for the last 37 years," said Helland, who won with Mark Coulier.
I'M FREAKING OUT!
The first emotional moment of the evening came with Octavia Spencer's expected yet still heartwarming supporting actress win for her turn as a tart-tongued maid in "The Help." From tart-tongued to a little tongue-tied: "Please wrap up ...I'm wrapping up!" she cried. "I'm freaking out!"
YES, ANOTHER ONE...
This could become a trend: For the second year in a row, a winner dropped an F-bomb. Last year it was supporting actress winner Melissa Leo; This year it was documentary feature winner TJ Martin, co-director of "Undefeated," which documents a high school football team.
Martin confessed he'd been, er, defeated by his excitement. "That was not the classiest thing in the world," Martin said backstage. "However, it did come from the heart."
THE CUTEST DOG IN THE WORLD
Uggie, the adorable dog in best-picture winner "The Artist," made a charming appearance onstage when the movie won best picture. However, his director allowed that the canine star does have his limits. "I don't think he understands what I'm saying," Michel Hazanavicius said when he won his own statuette. "He's not THAT good."
A MESS ON THE CARPET (NOT FROM UGGIE)
Sacha Baron Cohen always has something up his sleeve. This year, the comic actor spilled it all over Ryan Seacrest's sleeves — and the red carpet, too.
Parodying the Moammar Gadhafi-type dictator he plays in his upcoming film, "The Dictator," Baron Cohen showed up carrying what he said were the ashes of the late North Korean leader Kim Jong Il. Then he spilled them all over the E! host's tuxedo.
Said Seacrest: "Anything can happen and it most certainly did, all over my lapel."
A CIRCUS IN THE HOUSE
Wait, was that Spider-Man flying up to the rafters? No, this wasn't the Tonys, it was the Oscars, and those were Cirque du Soleil aerialists in a lavish tribute to the movies. Crystal noted the circus-like atmosphere when he quipped: "We've got puppets, acrobats ... we're a pony away from a bar mitzvah!"
WARDROBE MALFUNCTION?
Jennifer Lopez doesn't shy away from sexy gowns — remember the famously skin-baring Versace dress she wore to the 2000 Grammys? Well, this time, some viewers speculated on Twitter and elsewhere that a bit too much breast was visible in her Oscar gown with a plunging V-neck by Zuhair Murad. Her stylist hastened to report that it was an optical illusion. "While the dress did give the illusion of sheer-ness, (the) joke's on everyone who wishes they saw something!" Mariel Haenn said in a statement.

Courtesy : Yahoo News 

Tuesday, February 21, 2012

Behind the scenes with the animated Oscar noms












Five animated features and five animated short films are nominated for the 84th Academy Awards. fxguide checks out the nominees and present new interviews with Puss in Boots helmer Chris Miller from Dreamworks and La Luna director Enrico Casarosa and producer Kevin Reher from Pixar.

Phantom camera, Sci-Tech winner














We’ve all seen incredible high impact sports replays, slow motion film scenes and poetic balloon bursts. Now, the team behind the digital high-speed camera responsible for many of those types of shots – the Phantom came from Vision Research – has been recognized by the Academy of Motion Picture Arts and Sciences at the Scientific and Engineering Academy Awards, which fxguide recently attended.

Rhythm & Hues takes flight for Chronicle


fxguide recently visited Rhythm & Hues in LA to talk to visual effects supervisor Raymond Chen about the flying scenes in Chronicle.

Friday, February 10, 2012

Red Tails: Pixomondo wrecks planes and trains


For Anthony Hemingway’s Red Tails, Pixomondo drew on its worldwide resources to collaborate with Industrial Light & Magic on the film’s aerial shots and battle visual effects, which tell the story of the ‘Tuskegee’ African American pilots during WWII. Pixomondo VFX supervisor Bjørn Mayer, who shared duties with Boris Schmidt, breaks down for fxinsider the train attack and other key sequences from the George Lucas-produced film.

Luma transforms Underworld: Awakening


For Underworld: Awakening, the fourth film in the Underworldfranchise, Luma Pictures devised impressive CG werewolves – known as Lycans – to again wreak havoc, and one beast that would transform from human form. fxguide takes a look at how Luma utilized motion capture, the Light Stage process and renderer Arnold in bringing the creatures to life.

Thursday, February 2, 2012

32Ten Studios – mixing it up




When famed practical and miniatures outfit Kerner Optical recently ceased operations, many in the visual effects community lamented the demise of old-school effects work. But now a new company, 32Ten Studios, located on the former site of Kerner Optical and Industrial Light & Magic in San Rafael, has been formed with a mandate to produce not only practical and miniature effects, but also delve into the digital realm. fxguide talks to Scott Smith, heading up 32Ten’s digital operations, about the mix of work planned by the facility.

A Game of Shadows: more to the mystery



With A Game of Shadows, director Guy Ritchie follows up on his first Sherlock Holmes adventure with even more impressive special and visual effects artistry. Overall VFX supervisor Chas Jarrett returned to oversee sequences completed by Framestore, MPC and BlueBolt.fxguide dives into just some of the major shots, including the waterfall plunge, the train battle, digital environments and the escape through the woods.

Alive and animated: how DD created ‘Robotarm’



In ‘Robotarm’ a fully-CG Cisco TVC completed by Digital Domain/Mothership, nine automotive assembly robots fix and diagnose themselves, all to the tune of Gary Numan’s ‘Cars’. fxguide talks to visual effects supervisor Aladino Debert about the challenges of completing the spot in a tight four week schedule.